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Growing up is hard enough as it is; imagine going through the transition twice. Not only did he have to mature himself, but through his character Edmund Pevensie, too.
It all started about seven years ago when Keynes first joined his onscreen siblings Georgie Henley, Anna Popplewell and William Moseley on the set of The Chronicles of Narnia: The Lion the Witch and the Wardrobe.
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If you don't know who Joe Alwyn is, you will soon.
With a little help from Aslan, Edmund learns his lesson and emerges as a young man worthy of the title King Edmund the Just of Narnia.
Edmund wears that attitude proudly throughout the second film, Prince Caspian, and continues to do so in the franchise’s latest installment, The Voyage of the Dawn Treader.
This can originate from the author intentionally playing with the closeness of the characters' relationship and slipping into romance, even though nothing serious was supposed to come out of it. " There is another variation, when the attraction itself is textually there, but the characters are not literally blood related, so openly sexual relationships can also have incestuous subtext.
In some works, especially comedy ones, this is usually Played for Laughs involving Lampshade Hanging, and can involve a Digging Yourself Deeper speech: "It's Not What It Looks Like! For example, in Japanese works, girls might use Japanese Sibling Terminology for a guy (or especially a girl) they are in love with.
A Relative Error can come across this way (either intentionally or not) if the original "romantic" scene is a little too convincing. Contrast Incest Yay Shipping, where subtext may or may not exist but fans create a relationship regardless.
The Princess grew aware of how tightly she was clinging to him.
Their proximity engendered a wash of confused emotion.